Label: Analogue Productions - AAPC 2446-45,RCA Victor Red Seal - LSC-2446 • Series: Living Stereo,RCA Living Stereo Series • Format: 2x, Vinyl LP, 45 RPM, Album, Reissue, Remastered 200 Gram • Country: US • Genre: Classical • Style: Romantic
This orchestral work combines two features typical of Russian music and of Rimsky-Korsakov Syphilis - Fleshgod Apocalypse - King particular: dazzling, colorful orchestration and an interest in the Eastwhich figured greatly in the history of Imperial Russiaas well as orientalism in general.
It is considered Rimsky-Korsakov's most popular work. During the winter ofas he worked to complete Alexander Borodin 's unfinished opera Prince IgorRimsky-Korsakov decided to compose an orchestral piece based on pictures from One Thousand and One Nights as well as separate and unconnected episodes.
Notes in his autograph orchestral score show that the former was completed between June 4 and August 7, It was written to produce a sensation of fantasy narratives from the Orient. The composer deliberately made the titles vague so that they are not associated The Young Prince And The Young Princess - Rimsky-Korsakoff* / Fritz Reiner / Chicago Symphony Orches specific tales or voyages of Sinbad.
However, in the epigraph to the finale, he does make reference to the adventure of Prince Ajib. All I desired was that the hearer, if he liked my piece as symphonic music, should carry away the impression that it is beyond a doubt an Oriental narrative of some numerous and varied fairy-tale wonders and not merely four pieces played one after the other and composed on the basis of themes common to all the four movements. Rimsky-Korsakov wrote a brief introduction that he intended for use with the score as well as the program for the premiere:.
The Sultan Schariar, convinced that all women are false and faithless, vowed to put to death each of his wives after the first nuptial night.
But the Sultana Scheherazade saved her life by entertaining her lord with fascinating tales, told seriatimfor a thousand and one nights. The Sultan, consumed with Kołysanka Dla Mamy - Majka Jeżowska - A Ja Wolę Moją Mamę, postponed from day to day the execution of his wife, and finally repudiated his bloody vow entirely.
The grim bass motif that opens the first movement represents the domineering Sultan. After a few chords in the woodwindsreminiscent of the The Young Prince And The Young Princess - Rimsky-Korsakoff* / Fritz Reiner / Chicago Symphony Orches of Mendelssohn's A Midsummer Night's Dream A Distant Light - Ernie Watts Quartet - Wheel Of Time,  the audience hears the leitmotif that represents the character of the storyteller herself, Scheherazade.
This theme is a tender, sensuous winding melody for violin solo accompanied by harp. In this manner, developing quite freely the musical data taken as a basis of composition, I had to view the creation of an orchestral suite in four movements, closely knit by the community of its themes and motives, yet presenting, as it were, a kaleidoscope of fairy-tale images and designs of Oriental character.
Rimsky-Korsakov had a tendency to juxtapose keys a major third apart, which can be seen in the strong relationship between E and C major in the first movement. This, along with his distinctive orchestration of melodies which are easily comprehensible, assembled rhythms, and talent for soloistic writing, allowed for such a piece as Scheherazade to be written.
The movements are unified by the short introductions in the first, second and The Young Prince And The Young Princess - Rimsky-Korsakoff* / Fritz Reiner / Chicago Symphony Orches movements, as well as an intermezzo in the third.
The last is a violin solo representing Scheherazade, and a similar artistic theme is represented in the conclusion of the fourth movement. The reasons for its popularity are clear enough; it is a score replete with beguiling orchestral colors, fresh and piquant melodies, a mild oriental flavor, a rhythmic vitality largely absent from many major orchestral works of the later 19th century, and a directness of expression unhampered by quasi-symphonic complexities of texture and structure.
The work is scored for an orchestra consisting of: . Although each section is highly distinctive, aspects of melodic figures carry through and unite them into a movement. Although similar in form to the classical symphony, the movement is more similar to the variety of motives used in one of Rimsky-Korsakov's previous works, Antar.
This movement follows a type of ternary theme and variation and is described as a fantastic narrative. Inside the general melodic line, a fast section highlights changes of tonality and structure.
This movement is also ternary and is considered the simplest movement in form and melodic content. The inner section is said to be based on the theme from Tamara, while the outer sections have song-like melodic content. The outer themes are related to the inner by tempo and common motif, and the whole movement is finished by a quick coda return to the inner motif, balancing it out nicely.
A final conflicting relationship of the subdominant minor Schahriar theme to the tonic major cadence of the Scheherazade theme resolves in a fantastic, lyrical, and finally peaceful conclusion. The Ballet Russes' Scheherazade is known for its traditionally dazzling costumes, opulent scenery, and erotic choreography and narrative which was rarely seen in ballets of the time.
At the time of its original creation, Paris was in the final years of the Belle-Epoque period. This ballet provoked exoticism by showing a masculine Golden Slave, danced by Vaslav Nijinskyseducing Zobeide, danced by Ida Rubinsteinwho is one of the many wives of the Shah. Nijinsky was painted gold and is said [ citation needed ] to have represented a phallus and eroticism is highly present in the orgiastic scenes played out in the background.
Controversially, this was one of the first instances of a stage full of people simulating sexual activity. Nijinsky was short and androgynous but his dancing was powerful and theatrical. The Golden Slave also incorporated more rippling and slower, sultry movement as opposed to the large, jump The Young Prince And The Young Princess - Rimsky-Korsakoff* / Fritz Reiner / Chicago Symphony Orches turn heavy male solos audiences were used to seeing in classical ballets.
When the Shah returns and finds his wife in the Golden Slave's embrace, he sentences to death all of his cheating wives and their respective lovers. It is rumored [ citation needed ] that in this death scene, Nijinsky spun on his head. The ballet is not centered around codified classical ballet technique but rather around sensuous movement in the upper body and the arms.
Exotic gestures are used as well as erotic back bends that expose the ribs and The Five Satins - Wonderful Girl the chest. Theatrics and mime play a huge role in the story telling. Scheherazade came after Petipa 's Swan Lake and The Sleeping Beautywhich were ballets strongly focused on classical ballet and technique.
Fokine embraced the idea of diminished technique and further explored this after Scheherazade when he created Petrouchka in He went on to inspire other choreographers to throw away technique and embrace authenticity in movement. Bakst, who designed the sets and costumes for Scheherazadeviewed the stage as a three-dimensional landscape in which dancers, sets, and costumes were all of equal importance.
Its costume and scenic designs even inspired and influenced many fashions Me And Baby Jane - Leon Russell - Carney the time in years to come.
The widow of Rimsky-Korsakov protested what she saw as the disarrangement of her husband's music in this choreographic drama. Contrary to the narrative of the original ballet, in which Scheherazade is just the narrator of the story of Shahryar and Zobeide, Alonzo brings the character of Scheherazade to the forefront of the ballet.
She becomes the principle female character rather than Zobeide. King is known for his boundary pushing, long-lined, dynamic movement aesthetic which is exemplified in Scheherazade. In moments throughout the ballet, non-Western forms can be seen through the rhythm of the movement, as well as the quick level changes from grounded to upright.
Especially in ensemble sections with precise hand and footwork. For this version, billowing fabrics overhead and a textured backdrop are suited to evoke mood changes as the lighting shifts. His costumes continue with the simplified, abstraction of the narrative. They are less reminiscent of the ornate, exotic harems the original ballet portrays and are Parade Strut (Instrumental) - J.J.
Johnson - Willie Dynamite (Music From The Original Motion Picture gauzier and lightweight. His choreography honors that of the original ballet in its sensuous waves and ripples, as well as its narrative. However, it is also modernized with contemporary, almost jazz-influenced, movements for both male and female characters. The sets and costumes were designed by Jerome Kaplan.
They incorporate some elements directly from the original designs of Leon Bakst, but also strip some away. Both mix ornate and more streamlined designs depending on the characters and settings for the scenes. Critical reviews of the work can be difficult to find. Sergei Prokofiev wrote a Fantasia on Scheherazade for pianowhich he recorded on piano roll.
Fritz Kreisler arranged the second movement The Story of the Kalendar Prince and the third movement The Young Prince and the Princess for violin and piano, giving the arrangements the names "Danse Orientale" and "Chanson Arabe", respectively. Inbandleader Skip Martin adapted from Scheherazade the jazz album Scheherajazz Sommerset-Records in which the lead actress, Yvonne De Carlowas also the principal dancer.
The plot of this film is a heavily fictionalized story, based on the composer's early career in the navy. He was played by Jean-Pierre Aumont. Scheherazade is a popular music choice for competitive figure skating. Various cuts, mainly from the first movement, were widely used by skaters, including:.
Notably, American figure skater Evan Lysacek used Scheherazade in his free skate and won the gold medal at Winter Olympics in Vancouver. From Wikipedia, Conto Corrente 103 - Nino Minieri - I Due Volti Di.
Nino Minieri free encyclopedia. Scheherazade, Symphonic Suite, Op. The Sea and Sinbad's Ship. The Story of the Kalandar Prince. The Young Prince and Princess. Festival at Baghdad. The Sea.
The classical music experience: discover the music of the world's greatest composers. New York: Sourcebooks. Dayton Philharmonic. Retrieved My Musical Life.
Joffe 3rd edition. Alfred A. Oxford University Press. Goddard Lieberson ed. The Columbia Book of Musical Masterworks. The Appreciation of Music, Vol. New York: H. Gray Co. The Kennedy Center. The essential classical recordings: CDs. Random House, Inc. New York: Garland, China in Focus, Ghost Rider - Various - Maxs Kansas City 1976 & Beyond Wang, piano.
Terre Haute Symphony Orchestra. Archived from the original on March 13, Saint Louis Symphony Orchestra. Archived from the original on
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